Portfolio project
A family home in Jar

Thibaut Devulder

Long perspective across the living spaces in the remodelled home

We have just completed the extension and remodelling of a family apartment in Jar, a close suburb of Oslo.

Our clients wanted help to expand their family apartment on the upper floors of a two-family unit that had become too tight for their growing family. In particular, the main living space, which served as a kitchen, dining-room and living-room was over-crowded and awkwardly placed next to bedroom of their three year old daughter. Ancillary spaces were also impractical and a separate washroom was needed to free up space in the bathroom.

Having analysed the existing spaces, we understood that this small extension project could really unlock the potential of the whole house: creating a welcoming and accessible entrance, activating the unused circulation spaces and restoring the connection to the garden — all without increasing our clients’ initial budget.

Our design approach

The remodelled home

We wanted to create a feeling of spaciousness and diversity inside the apartment. This is achieved by opening long perspectives across the whole house, visually linking strings of distinct spaces along them.

A new porch shelters the approach to the house and frames the entrance to the new hallway, now with level access from the exterior. This view extends across the high ceiling space and through a glazed door, all the way to the pergola in the garden. To the side, a more subdued space links the wardrobes to the new washroom.

With the extension of the house, the preserved staircase is now located at the centre of the house and acts as a vertical axis serving four different sub-levels, between the ground and upper floors. These help breaking up the height into a series of separate, yet connected spaces, so that the different floors feel more unified into a whole.

This feeling of diversity is further echoed on the horizontal axis, with a long perspective across four distinct spaces on the upper floor — through the dining-room and the staircase, the new study and TV-room, eventually opening up to the evergreen vegetation outside.

The exterior of this extension integrates seamlessly with the existing structure of the house, both in volumes and materials. Yet, despite its modest scale, the addition of the extension restructures the house to give a sense of spaciousness and spatial diversity to the interior, creating a more flexible home for this family.

2hD really listened to our needs and ideas. And they managed to integrate them in their design thinking to completely transform our apartment.

We didn’t expect this project to have such an impact on how we experience our home. It used to feel like a small apartment. Now it feels like a spacious house!
— Per Noring, client

A tree house by Østensjøvannet

Thibaut Devulder

The observation tower of the “tree house”,, poking over the highest terrace of the garden

Some photos of the landscaping project we completed two years ago close to Østensjø, a natural reserve in Oslo.

The central piece of this project was a staircase that dovetailed the different exterior spaces around a private house, overlooking the lake from a steep rock face. Spiralling among the rocks covered with lush vegetation, this timber stair also doubles as an observation tower and secret hiding “tree house” for the children.

Illustrations for a new court house

Thibaut Devulder
Approaching the new courthouse in Eidsvoll (design by Besseggen Arkitekter)

Approaching the new courthouse in Eidsvoll (design by Besseggen Arkitekter)

Continuing our collaboration with Besseggen Arkitekter, we have produced a series of illustrations to present a new court house project to the municipality of Eidsvoll, Norway.

This ambitious project, designed by Besseggen, aims at gathering on the same site the different courthouses of the region as well as a new police station, cradling the site of the old train station on the bank of the Vorma river.

Thanks to an efficient design workflow developed by Besseggen, we were able to produce inspiring illustrations based on their BIM model at an early stage of the design process.

These images were used to present the project to the local community and gather political support, before the Norwegian Court Administration takes a decision later on this year on the future location of the new regional courthouse.

Housing development in the Arctic

Thibaut Devulder

We have just completed the feasibility study of our first project above the Arctic Circle, in Harstad, Northern Norway!

Massing concept for the first prototype houses (6 living units) of our proposed modular construction system for the housing development.

Massing concept for the first prototype houses (6 living units) of our proposed modular construction system for the housing development.

Working in collaboration with a building company, we were tasked by a local land owner and developer to prepare a design strategy for a large housing development on 35,000 m2 of newly zoned area overlooking Vågsfjorden, a fjord just north of the beautiful Lofoten archipelago.

The site had been earmarked for fairly dense housing development by Harstad city council and our client wanted to meet this vision while creating a visually harmonious housing community that integrated well with the natural beauty of the site. Pre-fabricated solutions was also a preferred to keep the project cost-effective and limit site constructions times in difficult climatic conditions.

Following a detailed analysis of the site configurations, we developed a custom modular construction system for the houses, tailored specifically to the needs of the project. Our solution took the form of two prefabricated core modules that could be combined in a wide variety of configurations to adapt to the topography, access orientation and size of each plot to maximise the use of the site. In addition, we created a number of variations based on these two modules to combine dwellings — catering for the local housing market demand as well as meeting the development density that the local authorities were calling for.

Using this modular approach, we initially designed 18 different configurations, complete with interior layouts, parking options and external spaces — including single-family houses (with and without rental units), two-family houses, terrace houses and small apartment blocks — that would allow more than 80 living units (9,000 m2 ) to be developed on the site.

We are now starting the detailed design for this modular system, ahead of the construction of four prototypes (for a total of 12 dwellings) on site next year, as well as visualisations and customisation options for marketing the project .

Portfolio project
Creating a roof garden in central Oslo

Thibaut Devulder

We have just been exploring alternative options to create a terraced garden on the roof of an existing residential block in central Oslo. Our clients — a housing cooperative — wanted to create outdoor social spaces that could be used by all residents and accessed with minimum alterations to the existing building.

Coordinating with the builder, a structural engineer and a fire engineer, we developed three alternative sketch design approaches with various level of complexity and size, each complete with an outline budget, scope of work and timescale.

These design approaches will be reviewed on their annual meeting by the residents and, once a preferred options is selected, we will be proceeding with the detailed design and planning application for the project over the summer.

The existing roof terrace, currently not accessible.

The existing roof terrace, currently not accessible.


Design concept for a fire station

Thibaut Devulder

Concept design visualisation of our future fire station in Såner, Norway, with its public facing core building and connected modular fire engine halls at the back.

I have been collaborating this last week with Besseggen Arkitekter (with whom we are sharing our new office in Oslo), developing a design strategy for a new fire station in Vestby, Norway.

The competition brief called for an easily extendable building, with a strong focus on personnel safety. I have prepared this sketch concept view, together with diagrams explaining our design approach to address these points. Using a construction strategy based on modular plug-in elements with identical folded structure roofs, each module can be easily connected to the station as it expands in the future, supplementing both additional capabilities and associated staff accommodation to the facilities.

The design strategy diagrams we prepared for the competition

Portfolio project
Symétriades: visualising contemporary music

Thibaut Devulder

View of our live projection mapped onto the performance stage

Symétriades/Extension is a visual experience that we created for an eponymous contemporary music piece for solo double bass and musical artificial intelligence.

Commissioned by Le Fresnoy - Studio National des Arts Contemporains in France, this art performance was presented at a contemporary music festival in October 2018.

In this project, art director Alain Fleischer and music composer Yann Robin wanted to express the idea of an abstract immolation of the soloist through the performance of this powerful musical piece, “plunging the audience into an immersive experience of engulfment” and “a fusion between the worlds of the seen and the heard.”

We developed with the artists a scenography and live video projections generated in real-time by the sounds and movements of the musician on stage, merging the expressionist visual universe of Alain Fleischer with poetic elements from Stanislaw Lem’s book Solaris.

This is what I call an immersive experience! It was incredible to witness my own avatars being destroyed in real time, as I performed the piece.

2hD’s work, under the artistic benevolence of Alain Fleischer, gave an exponential dimension to Yann Robin’s composition, merging the visual and musical architectures into one.
Nicolas Crosse, soloist in the performance
 

Extract from Yann Robin’s musical score, codifying the complex movements of the soloist on the double bass (image © Yann Robin)

Symétriades as a musical piece

Composed in 2013 by Yann Robin, Symétriades is the second opus of three abstract compositions, all titled after the incomprehensible architectural formations described in Lem’s fictitious discipline of solaristics.

Inspired by and written for Nicolas Crosse’s double-bass powerful playing technique, the composition of the musical piece also includes an artificial intelligence that reprocesses in real-time the soloist’s live performance. This electronic system, developed at the Institute for Research and Coordination in Acoustics/Music (IRCAM), distorts, filters and reconfigures the music into a network of 8 loudspeakers and 4 sub-woofers that spatialise the sounds around the audience.

 

The visual experience

The artists wanted to visually express the contained ferocity of the music, using the metaphor of the bass as an instrument of self destruction.

Echoing some of the themes from Lem’s enigmatic book, we constructed the visual narrative of the performance as a succession of digital incarnations of the bass player.

Overlaid onto his physical presence on stage as video projections, each of these “doppelgänger” gets corrupted and eventually destroyed under the assaults of the sounds and movements of the musician on stage. Progressively turning into an abstracted version of his image, it finally recomposes itself into a purely abstract visual representation of the music.

To achieve this, our approach mixed real-time filming, 3D motion analysis of the musician on stage and sound analysis. We coded a custom computer program that could dynamically create and composite layers of animations over the image of the musician being projected onto the stage and coordinate them with the electronic sound processing.

The dynamic nature of our system allowed the video projections to adjust to the improvisations of the musician during the performance — something that the musical score specifically encourages during certain parts of the piece!

 

Double-bass solist Nicolas Crosse during rehearsals, seen through the shifting moiré of the translucent projection screens of our scenography.

The scenography

In parallel to the visual effects, we also designed a stage scenography for the performance.

From an early stage, we wanted to keep the powerful delivery of the soloist at the centre of the visual experience. Its perception by the audience should therefore be altered not only by the means of digital video projections, but also through the physical, direct medium of the scenography.

Playing with the perception of depth, we shrouded the stage with multiple layers of finely meshed black fabrics. These translucent surfaces create the screen for the video projections superimposed onto the stage and blur the projection into an elusive volumetric presence.

Positioned between the audience and the stage, they further distort the direct sight of the bass player through shifting patterns of moiré, adding to the expressionist makeup and costume of the performer, and echoing the liquid nature of the book’s protoplasmic being. Modulating the contrast between stage lighting and video projections, we could also shift the audience’s focus between the performer on stage and his abstract projected doubles.

 

The creative process

As we developed and refined the effects over the course of the production phase, we produced a series of video prototypes that precisely simulated the effects, based on high-definition videos and 3D captures taken during the first rehearsal. This allowed the involved artists to visualise the performance in real conditions at each design iteration, keeping the artistic discussion open and adjustments to the system simple.

We also took care of sorting out the technical solutions for the performance, selecting adequate equipment and producing detailed 3D models of the scenography and technical workflows, so that its feasibility could be checked with the technical team as the project developed.

Credits for the project

Art direction: Alain Fleischer
Music composer: Yann Robin
Double bass soloist: Nicolas Crosse
Electronic sound treatment: Robin Meier
Scenography & live video projection system: 2hD
Production manager: Bertrand Scalabre
Stage manager: Alexis Noël
Sound setup: Geoffrey Durcak
Production: Le Fresnoy - Studio National des Arts Contemporains, in co-production with L’Ensemble Multilaterale


Are you an artist working with interactive installations or performances?

The tools we used for the Symétriades performance

Thibaut Devulder

Technical diagram of the performance setup

Capitalising on our experience in the Ooo-Ya-Tsuproject, we developed for the Symétriades/Extension performance a custom program in Processing, which managed the sound, video and motion captures and generated the projected visualisation in real-time.

Some open source libraries were also used to interface together the different components of the system: Open Kinect for Processing (for real-time video and 3D analysis on stage), Minim (for real-time sound analysis) and oscP5 (for OSC network communication).

The different computers in the performance were communicating via OSC, using the excellent OSCulator (controlling the multi-track audio playback) and TouchOSC, for which we developed a custom graphical interface to tune the parameters of the Processing program in real-time.

Symétriades live performances this weekend!

Thibaut Devulder
Screencapture.jpg

I am at the Studio National des Arts Contemporains (a.k.a. Le Fresnoy) for the final rehearsals of the Symétriades art performance, for which we developed the scenography and live video projections.

Double bass player Nicolas Crosse will be interpreting Yann Robin’s Symétriades piece for solo double bass and electronics, spatialised over a complex electronic post-processing system and overlaid with the live video projections we have created with visual artist Alain Fleischer.

The performance will be shown as part of a contemporary music festival within Panorama 20, the yearly exhibition showcasing the art projects developed at the Studio over the last year.

There will be four public presentations of the performance over the weekend:

  • Friday 5 October 2018 at 20:00 and 22:15

  • Sunday 7 October 2018 at 15:00 and 17:00

Come and join us for a mighty musical and visual experience!

New office in Oslo on Akersbakken 37

Thibaut Devulder

We have just moved our Norwegian office to a new workspace in central Oslo, in the Gamle Aker neighbourhood!

 

We are excited to share this new office space with three other architecture studios: Besseggen ArkitekterSKAANE arkitektur+ and Don Lawrence.

After six years at Sommerrogata 17, our former office space is now closed for renovation. And we would like to take this opportunity to thank all the talented people who shared that vibrant space with us, for all the fruitful collaborations and good laughs!

Pop by and say hello at our new address:

2hD Norway
Akersbakken 37A
0172 Oslo

First rehearsals for the Symétriades art performance

Thibaut Devulder
Prototype of live visual effects, projected over double-bass player Nicolas Crosse, through the black open weave screens

Prototype of live visual effects, projected over double-bass player Nicolas Crosse, through the black open weave screens

I was at the National Studio for Contemporary Arts this week, for two days of rehearsals for the Symétriades art performance.

It was the first opportunity to test in real conditions the scenography and visual effects for the video projections that I had been developing for the performance in the past few months, collaborating with lead artist Alain Fleischer, music composer Yann Robin and double-bass player Nicolas Crosse.

Based on the idea of the soloist immolating himself through the performance of Yann Robin's piece for solo double-bass and electronics, our scenography is playing on the layering of open weave fabrics that are shrouding the musician in shifting patterns of moiré and acting as translucent screen surfaces for real-time video projections. 

We will be developing further the motion capture techniques and visuals over the summer, until the first public performances of Symétriades on 5th and 7th of October 2018, at Le Fresnoy.

Portfolio project
A feasibility study for the housing development in Oslo

Thibaut Devulder

In this project, we helped a housing developer unlock the potential of a complex site in the beautiful neighbourhood of Nordstrand, in Oslo. Bringing together our skills in site analysis and visualisation, we designed and presented alternative development strategies for the site, helping the developer and the site owner to build architecture that is both inspiring and financially viable.

A visualisation of the site with sun access at different season, as part of our site anany

A visualisation of the site with sun access at different season, as part of our site anany

A view of the site before development, with its mature trees and steep north-facing rocky slope at the back

Surrounding by elegant villas with fantastic views to Oslo Fjord, the undeveloped site had a complex topography, with a north-facing rocky slope dropping 11 meter drop across the site, overgrown with several large mature trees.

This unusual configuration made the site unsuitable for standard off-the-shelf housing solutions. So the developer asked us to assess the viability of a development and to bring in some creative thinking to showcase the potential of the site to the site owner.

Analysing the site

Using available topographic information and photos, we started by creating a 3D model of the site landscape and its surrounding, which would serve as the basis for our analysis and presentation.

The various layers of planning regulations for the site were then analysed and compiled into a clear set of constraints applying to the project. The surrounding architectural context was also carefully taken into consideration, so that the development would not only integrated with the landscape, but also related meaningfully with the existing architectural language and scale of the residential area.

Our visual representation of the constraints on the complex site considerably simplified the decision-making process for the developer

Identifying viable development options and their planning consequences

Presenting these constraints visually, together with topographic and climatic data, we summarised a set of alternative scenarios for the development, each with the associated areas, possible building forms, parking and access requirements and consequences on the potential complexity of the planning process.

With all information clearly summarised, the developer could easily review the options — weighing costs versus complexity of the required planning process — to select an optimal development scale matching his financial and marketing approach.

Thinking with the landscape

With the project scale now clearly defined (in our case, three single family units), we proceeded with structuring the site and developed alternative architectural strategies based on this scenario.

Our focus was on preserving the natural feel of the site, making the most of the existing topography and vegetation to create attractive outdoor spaces with extensive access to the sun for a large part of the year, despite the awkward orientation of the site.

The dwellings were articulated around the different levels of the landscape to minimise groundworks on the site, preserve the existing trees and promote accessibility.

Their volumes were laid out to reduce self-shading of the garden areas, balancing open communal outdoor areas with more private garden spaces linked to each dwelling, framing view from the living spaces and preserving a feeling of privacy from neighbours.

Taking an informed decision

The result was five alternative architectural strategies that could be presented by the developer to the site owner.

We organised our presentation around clear diagrams that visually summarised each strategy, with site plans, massing perspectives and outline dwelling organisations. so that the site owner — who had no previous experience in development — could appreciate the potential of the site and take inform decisions about its future.

Photography: Colosseum Mann hospital, by Montaag

Thibaut Devulder

Some images from my photoshoot of the Colosseum Mann hospital, in Oslo, recently redesigned by the very talented team at Montaag, a multidisciplinary design studio based in Norway and California.

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Renergising visit to the low energy house

Tom Hughes
The New House, Maplebeck

The New House, Maplebeck

I visited the North Nottinghamshire village of Maplebeck today with a group of 1st year students architecture from Nottingham Trent University. We were there to visit the New House, as guests of 2hD's wonderful clients Roger and Sue Bell. The students also visited the new Maplebeck village hall by Marsh Growchowski Architects and the nearby Hockerton Housing Project.

The students are learning about sustainable building design as part of their first year technical studies, so these three real-world low energy projects will be a boost to their understanding. For me personally it was great to return to Maplebeck and hear how well the house is working and how happy Roger and Sue are with the design. As the sun came out during the day we watched as the solar array pumped out nearly 7Kw of electricity, meeting the house's tiny energy demands with ease, charging the Tesla battery and exporting the excess to the National Grid.

Perhaps the only sad point of the day was to reflect on how unusual low energy housing still is considered in the UK. When I was taught as an undergraduate student in the early 1990s by Brenda & Robert Vale, they were completing their own house in Southwell, itself the culmination of research dating back to their 1975 publication "The Autonomous House". Four decades after that book, and a quarter century after the autonomous house in Southwell, we are still looking to the NEXT generation of architects, builders and developers to make sustainable housing the norm rather than the exception.

Let's hope today's visit has inspired some of the NTU students to integrate sustainable principles seamlessly into their creative processes!

Kudos to Roger and Sue for hosting us, to Derek Sayer of the Maplebeck Village Hall committee for tours of that building and to Chris Marsh, my NTU colleague for arranging the visit.